Burnt Umber Ultramarine I - 1981 - Yun Hyong-keun Art Prints - 100x150 cm / 40x60″ inches | Yun Hyong-keun Poster | Yun Hyong-keun Prints
Burnt Umber Ultramarine I - 1981 - Yun Hyong-keun Art Prints - 100x150 cm / 40x60″ inches | Yun Hyong-keun Poster | Yun Hyong-keun Prints
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Yun Hyong-keun’s Burnt Umber Ultramarine I (1981): A Masterpiece of Minimalist Elegance
Elevate your space with a museum-quality reproduction of Burnt Umber Ultramarine I, a seminal work by the revered Korean artist Yun Hyong-keun. Painted in 1981, this piece epitomizes Yun’s signature style—bold, vertical bands of burnt umber and ultramarine that evoke the quiet power of nature and the passage of time. As one of the most celebrated figures in modern Korean art, Yun’s work is held in the permanent collections of the Museum of Modern Art (MoMA), the Tate Modern, and the National Museum of Modern and Contemporary Art, Korea.
This fine art print is meticulously reproduced on RedKalion’s Master’s Edition archival paper, an uncoated, off-white surface that mirrors the tactile richness of Yun’s original canvas. The 250 gsm (110 lb) weight and matte finish ensure a luxurious, gallery-worthy presentation, while the acid-free composition guarantees longevity—resisting yellowing and fading for generations. Measuring 100x150 cm (40x60″ inches), this print commands attention, transforming any room into a sanctuary of refined minimalism.
Yun Hyong-keun’s technique was deeply meditative, often involving layer upon layer of thinned oil paint to achieve his signature depth. The interplay of burnt umber—a pigment historically derived from charred earth—and ultramarine, once more precious than gold, creates a visual tension that is both serene and profound. This piece is not merely a print; it is a portal to the artist’s contemplative world, where color and form converge in perfect harmony.
RedKalion’s commitment to archival-quality reproductions ensures that every detail of Yun’s masterpiece is preserved. Our FSC-certified, sustainable paper reflects our dedication to both artistry and environmental responsibility. Whether you’re a seasoned collector or a discerning enthusiast, this print is an investment in timeless beauty—one that will endure as a centerpiece in your home or gallery for decades to come.
Experience the quiet majesty of Burnt Umber Ultramarine I in a format designed for connoisseurs. This is not just a poster; it is a museum-quality print that brings the essence of Yun Hyong-keun’s genius into your space.
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What is the significance of Burnt Umber Ultramarine I in Yun Hyong-keun’s body of work?
Burnt Umber Ultramarine I (1981) is a defining example of Yun Hyong-keun’s minimalist style, characterized by vertical bands of earthy pigments. It reflects his exploration of nature, time, and existential themes, making it a cornerstone of modern Korean art.
What type of paper is used for this fine art print?
This print is produced on RedKalion’s Master’s Edition archival paper, an uncoated, off-white, 250 gsm (110 lb) paper with a matte finish. It is acid-free and FSC-certified for sustainability.
How does the matte finish enhance the appearance of this print?
The matte, uncoated finish reduces glare and highlights the depth of Yun’s pigments, closely mimicking the original oil painting’s texture and subtlety.
Is this print suitable for framing?
Absolutely. The 100x150 cm (40x60″ inches) size is ideal for custom framing, and the 250 gsm weight ensures durability and a premium presentation.
How long will this archival print last without fading or yellowing?
Our acid-free, archival-grade paper is designed to resist yellowing and fading for over 100 years when displayed under proper conditions, such as avoiding direct sunlight.
What inspired Yun Hyong-keun’s use of burnt umber and ultramarine?
Yun drew inspiration from nature and traditional Korean aesthetics. Burnt umber symbolizes earth, while ultramarine represents the sky, creating a harmonious balance in his compositions.
How does RedKalion ensure the accuracy of color reproduction in this print?
We use high-resolution scanning and giclée printing with archival inks to ensure color fidelity, capturing the nuanced tones of Yun’s original artwork.