Burnt Umber Ultramarine - 2004 - Yun Hyong-keun Art Prints - 100x150 cm / 40x60″ inches | Yun Hyong-keun Poster | Yun Hyong-keun Prints
Burnt Umber Ultramarine - 2004 - Yun Hyong-keun Art Prints - 100x150 cm / 40x60″ inches | Yun Hyong-keun Poster | Yun Hyong-keun Prints
Verfügbarkeit für Abholungen konnte nicht geladen werden
Yun Hyong-keun’s Burnt Umber Ultramarine (2004): A Museum-Quality Archival Print
Elevate your space with a masterful reproduction of Yun Hyong-keun’s Burnt Umber Ultramarine (2004), a seminal work from the Korean Dansaekhwa movement. This fine art print captures the artist’s signature meditative depth—where earthy burnt umber and celestial ultramarine converge in a sublime, minimalist dialogue. RedKalion’s archival-grade reproduction preserves the raw, tactile essence of Hyong-keun’s brushwork, offering collectors and connoisseurs an opportunity to own a piece of modern art history.
Why This Print Belongs in Your Collection
- Dansaekhwa Mastery: Yun Hyong-keun’s work is celebrated for its spiritual minimalism, blending traditional Korean aesthetics with post-war abstraction. Burnt Umber Ultramarine exemplifies his ability to evoke profound emotion through restrained color fields and deliberate, rhythmic brushstrokes.
- Museum-Quality Reproduction: Printed on RedKalion’s Master’s Edition archival paper—a 250 gsm, acid-free, FSC-certified off-white sheet—this print ensures longevity and authenticity. The uncoated, matte finish replicates the organic texture of Hyong-keun’s original canvas, while the natural white hue enhances the depth of the pigments.
- Generous Scale: Presented in a commanding 100x150 cm (40x60″) format, this print commands attention, transforming any wall into a gallery-worthy statement. The dimensions are meticulously proportioned to honor the artist’s original composition.
The Art of Preservation
Hyong-keun’s technique involved layering thin washes of pigment, allowing the colors to bleed and merge organically. Our reproduction employs advanced giclée printing to replicate this effect, ensuring each print retains the subtle gradations and luminosity of the original. The acid-free, pH-balanced paper (pH above 7) guarantees that your print will resist yellowing and deterioration for generations, making it a lasting investment in art.
Curated by RedKalion: Where Art Meets Archival Excellence
RedKalion is the definitive destination for discerning collectors seeking museum-quality prints of iconic artworks. Our collaboration with master printers and use of FSC-certified, sustainable materials reflect our commitment to both artistic integrity and environmental responsibility. When you acquire Burnt Umber Ultramarine, you’re not just purchasing a print—you’re embracing a legacy of craftsmanship and cultural significance.
Transform your environment with a piece that transcends decoration. This is art that endures, resonates, and inspires.
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is the significance of Burnt Umber Ultramarine in Yun Hyong-keun’s body of work?
Burnt Umber Ultramarine (2004) is a quintessential example of Yun Hyong-keun’s Dansaekhwa style, characterized by its meditative use of earth tones and deep blues. The interplay of burnt umber and ultramarine reflects his exploration of nature, time, and existential themes, making it a pivotal piece in modern Korean art history.
What are the specifications of the paper used for this print?
This print is produced on RedKalion’s Master’s Edition archival paper: 250 gsm (110 lb), uncoated, matte finish, and acid-free with a natural off-white hue. The paper is FSC-certified for sustainability and measures 0.29 mm (11.4 mils) in thickness.
How does the print size (100x150 cm / 40x60″) compare to the original artwork?
The 100x150 cm (40x60″) print is a faithful reproduction of Yun Hyong-keun’s original scale, designed to capture the immersive quality of his large-format works. The dimensions ensure the print retains the artist’s intended visual impact.
Is this print suitable for framing, and what type of frame is recommended?
Yes, this print is ideal for framing. We recommend a museum-quality, acid-free matte and a simple, minimalist frame to complement the artwork’s understated elegance. Avoid glass with UV protection to preserve the print’s archival integrity.
How does RedKalion ensure the longevity of its fine art prints?
RedKalion uses acid-free, pH-balanced paper and archival-grade inks to prevent yellowing and fading. Our prints are designed to last over 100 years under proper display conditions, such as avoiding direct sunlight and humidity.
What is the shipping process for this large-format print?
Your 100x150 cm (40x60″) print is carefully rolled in a protective tube and shipped via a trusted courier. Shipping includes tracking and insurance, with delivery times varying by location. Full details are provided at checkout.
Can I request a custom size for this Yun Hyong-keun print?
Currently, Burnt Umber Ultramarine is available in the standard 100x150 cm (40x60″) size. For custom requests, please contact our curatorial team to discuss options and availability.
What inspired Yun Hyong-keun’s use of burnt umber and ultramarine in his work?
Yun Hyong-keun drew inspiration from nature and Korean philosophy, particularly the concept of yin and yang. The burnt umber symbolizes earth and stability, while ultramarine represents the heavens and infinity, creating a harmonious balance in his compositions.